Fxpansion DCAM Dynamics – Perfect Circuit
What is DCAM: Synth Squad? Synth Squad is a collection of 4 software instruments:
FXpansion DCAM Dynamics
What is DCAM: Synth Squad? Synth Squad is a collection of 4 software instruments: For times when such sounds are required, Cypher and Fusor provide a comprehensive feature set. Back To Top Why does Strobe only have a single oscillator? As mentioned above, Strobe is designed to be quick and easy to program.
For more complex sounds it is recommended to use Cypher. Alternatively, 2 or 3 instances of Strobe can be sued within Fusor – the FuseMod modulation system allows you to share modulators like LFOs and envelopes between the synth instances. Lastly, if you want to get clever just within Strobe, you can use the TransMod system to repurpose Strobe as a 2-osc synth with each osc having its own filter and amp: Adjust the Voices and Unison settings to 2.
Any modulation settings in this TransMod slot represent the 2nd voice and, in effect, the 2nd oscillator, filter and amp. Back To Top Can you explain more about Amber and the concept of ‘paraphony’? The term ‘paraphonic’ was first coined by Roland on its classic RS Paraphonic string synthesizer and has become a commonly used term for string ensemble synths or for other synth architectures which send individually keytracked oscillators through a single filter and VCA in other words – multiple simultaneous notes within a single monophonic voice.
Classic divide-down string synthesizers of this type used a frequency-divided high-frequency master oscillator or oscillators to produce all notes on the keyboard simultaneously within a single synth voice, with a VCA voltage controlled amplifier and amp envelope within the osc section. Such synths are not ‘true polyphonic’ synths. To be fully polyphonic, a synth must have an osc, filter and amp section for each simultaneous note. You’ll find a detailed explanation of divide-down string synths in part 20 of the Sound on Sound ‘Synth Secrets’ series.
Back To Top What is audio-rate modulation? Modulating the frequency of an oscillator at very fast speeds such as that of another oscillator rather than, say, an LFO creates timbral changes rather than vibrato-style pitch changes involved with slower LFO modulation.
Audio-rate modulation can approximate the types of complex changes in harmonics over time that are evident in acoustic sounds. Cypher contains a number of ways of performing audio-rate modulation, such as linear thru-zero FM, wave modulation and audio-rate sample-and-hold. Oscillator sync is also a form of audio-rate modulation – both Strobe and Cypher are capable of this function although Cypher’s implementation is more versatile.
Please read chapter 4 of the DCAM: Synth Squad operation manual for more details on audio-rate modulation. The instruments in DCAM: Synth Squad do not emulate any particular analogue synths – instead, they involve analysis of a large variety of synthesizers in order to create models of new instruments. The individual Strobe, Cypher and Amber plugins do not, but Fusor contains an extensive suite of high-quality FX that can be used as inserts on synth instances, aux sends or as inserts on the final layered output of 3 synths.
The individual synths in DCAM Synth Squad are designed to be compelling and full of inspiration without being drenched in shiny effects which may or may not fit the context within which they are used. We wanted the synths and their presets to stand out on their own as vibrant and powerful sound sources with a dedicated environment alongside for synth layering and adding all kinds of effects. We’re confident that you won’t be disappointed with the lack of effects in the synths, and that the quality of the ‘raw’ synth sounds will pleasantly surprise you.
External audio appears in place of each synth’s white noise audio source. You must make sure you engage the synth voice to open the VCA by playing a key – otherwise you won’t hear anything. You must also ensure that the synth’s controls are set so that the white noise source is audible.
All other audio sources oscillators, self-oscillating filters can be used alongside the white noise source. It is important that the effect versions should not be considered as ‘filter plugins’ – they should instead be considered as synths with an audio input alongside other oscillator sources before the filter section.
They provide a way to feed external audio through the entire synth architecture without any additional interface work. To force ‘effect plugin’-style behaviour, feed a MIDI note to the plugin with its Hold button engaged.
The ways in which MIDI-controlled audio effects are set up vary considerably on different hosts. Please contact your host vendor for instructions if you do not know how to accomplish this function. The DCAM synth FX versions operate in the same way as any other comparable plugins and have been tested in the following hosts: The external audio appears in place of the white noise source in the oscillator section of each synth.
All operations further down the signal path from the oscs can be performed on the external audio – i. In Cypher, the external audio appears in the white noise source for each of the 3 oscillators and can be used with the specialized osc functions. This includes acting as a source for audio-rate functions although you cannot perform audio-rate modulation on the external audio signal itself. Try it with the FM, WM and audio-rate sample-and-hold functions!
Alternatively, you can use the other osc sources alongside the input, allowing many creative applications. With 2 unison voices, the external input or inputs in Cypher will be doubled, and a unison modulation source can be used in the TransMod system to create different settings for each of the voices – for example different filter types, drive amounts etc.
The boxed version contains a printed quick-start manual covering installation, authorization and first steps to learning the software. The download version only comes with this guide as a PDF file.
The main operation manual is supplied as a PDF file with both the download and boxed versions. You are free to print the PDFs for your own use. Synth Squad in detail. The demo is available for download directly from the DCAM: Synth Squad overview page, which can be found here. The limitations of the demo are as follows: Synth Squad plugin is launched Demo expires after 28 days.
DCAM: Synth Squad is a collection of 4 software instruments: Strobe: a performance synth designed for fast sound design Amber: a divide-down string ensemble. FXpansion’s first foray into the soft-synth world yields some unexpected but welcome results Strobe: the simplest of the DCAM synths, but possessing more . DCAM: Synth Squad is the first synthesizer product from plug-in veterans xtfaeg.me package includes three synths – Amber, Cypher and.
FXpansion DCAM: Synth Squad – Virtual Synthesizers
DCAM strobe The simplest of the synths is Strobe, a subtractive job with a mixer that enables you to blend sawtooth, pulse and noise oscillators. In addition, you can mix sine, triangle, saw and square sub oscillators, each of which can be set to any of the three octaves below the root note. The pulse width of the main oscillator and sub oscillators can be set independently, and there’s a drivable, self-resonating multimode filter with a whopping 22 types to pick from. For phattening things up, the Stack and Detune knobs essentially give per-oscillator unison of up to five voices – with Detune at the maximum setting, gradually increasing Stack introduces tones an octave above and below, then a fifth above and a fourth below – this is in addition to DCAM’s generic unison capability. For creating hard sync effects, modulation of the Sync knob is absolutely where it’s at.
Liam Ashton finds out. The range was expanded earlier this year with the release of Etch and has now grown further with the addition of DCAM Dynamics , which aims to do for compression what Synth Squad did for synthesis and Etch did for filtering.
HOWTO VIDEO: FXpansion – DCAM Synth Squad
DCAM: Synth Squad is the first synthesizer product from plug-in veterans xtfaeg.me package includes three synths – Amber, Cypher and. FXpansion is proud to present DCAM ChanComp, a circuit-modelled channel compressor based on a legendary FET-based limiting amplifier design. DCAM. FXpansion DCAM EnvShaper is a powerful processor for controlling transients in your Reason projects. Ideal on electronic & acoustic drums, percussion.