Xfer Records Serum
Its aims are simple: The distinctive sound is derived from groups of digital waveforms, known collectively as wavetables. Movement and tonal complexity are introduced by scanning the table, either manually or by modulators such as LFOs and envelopes. It ships with a large vault of prepared wavetables and an extensive toolkit to roll and shape your own. Given the number of messy, confusing and inconsistent synth panels I find myself juggling each day, this one is a delight.
SERUM – Software Engineering Risk: Understanding and Management
Its aims are simple: The distinctive sound is derived from groups of digital waveforms, known collectively as wavetables. Movement and tonal complexity are introduced by scanning the table, either manually or by modulators such as LFOs and envelopes. It ships with a large vault of prepared wavetables and an extensive toolkit to roll and shape your own.
Given the number of messy, confusing and inconsistent synth panels I find myself juggling each day, this one is a delight. I doubt anyone will seek the manual with any great urgency. Aided by a crack team of patch designers, Serum ships with approximately factory sounds. Tables In Motion The four possible sound sources consist of two independent wavetable oscillators, a sub-oscillator and a deluxe noise generator.
Selecting a single oscillator unprocessed by filter or effects, I began auditioning the factory wavetables. Instead, I set an LFO to automatically update the position, achieving the task by simply dragging the header tile of a chosen LFO to the knob in question. This is one of several methods of assigning modulation and took around a second from thought to execution.
The modulation range is shown by a blue arc, which in this case I extended around the knob in order to scan the whole table. You can see how many destinations each modulator has by numbers on the header tiles. A long-time fan of wavetable synthesis, I was eager to make an original table. In Serum, a wavetable consists of up to single-cycle waveforms, known as frames. A click of the pencil icon in the graphical window of either oscillator opens the wavetable editor.
The drawing of waveforms is one of those arts that seems incredibly exciting — until you try it. Fortunately, there are far superior ways to populate a range of frames.
Serum can dynamically interpolate ie. The maximum table size weighs in at around 2MB but most are much smaller. If you import data from large WAVs, it is truncated when the table is built. The manual features tutorials aimed at creating high-quality wavetables from the output of other soft synths.
However you choose to do it, your creations or favourites from the factory tables can be exported for use externally. Initially the supported formats were 8-bit aimed at certain hardware modulars, eg.
Wiard or bit WAV. The effects rack can be dynamically re-ordered and most of its parameters modulated. This powerful magic is stored in the lengthy Warp menu. Whatever Warp mode you choose, each is a great candidate for modulation, from sources located a few pixels away. Continuing to cherry-pick through the Warp menu, there are various types of sweet, clean-sounding sync and a quantise option that turns everything decidedly nasty and rate-reduced.
All these modes force the otherwise pristine oscillators beyond their usual comfort zone. With wide-spread waveform mashing taking place, the best way to grasp the effect of each Warp mode is to switch to the 2D view. With a single click, the scrolling wavetable becomes an invaluable real-time waveform display. Last but not least, voices may be stacked in a powerful unison mode. The extra voices can be detuned for extra lushness, but the freakiest stuff comes with the introduction of Warp or wavetable position offsets.
This makes each unison voice unique, although with a corresponding CPU cost. All your modulation connections in one convenient location. The sub oscillator is basic and no less useful for being so , but the noise generator is a bit special. Joining the noise are sampled ambient whooshes, windchimes, vinyl crackles, dripping water and atmospherics galore. The Filter Peering into another nested menu, I see four categories that ultimately hold around 90 single and combined filters.
The quality is high throughout. There are no duffers here and my personal favourites were the warm and spacious plate reverb and dense, classy chorus. Most parameters can be modulated and by the same sources as the rest of the synth.
Thus, if the mood takes you, you can tie the phaser speed and delay time together, or simply put both under external MIDI control. The wavetable editor where you can work on an entire table or individual frames.
Before moving on, distortion also deserves a quick mention. Best of all is its highly customisable waveshaper mode, complete with dual waveform editors that facilitate an almost ludicrous level of fine-tuning. Conclusion Serum is an oddly named synth built around refreshingly clean, low-aliasing wavetables. Even when forced to be filthy, it somehow retains a refined and polished character, which is no mean feat. With its zappy envelopes, highly malleable LFOs and extensive Warp tools, Serum is not just a source of shifting pads and atmospherics: It also happens to possess one of the most elegant interfaces a complex synth was ever given.
An arpeggiator or a step sequencer would be welcome, but more slots in the modulation matrix would be even better. If you have any interest at all in wavetable synthesis, grab the demo today. Furthermore, auxiliary modulation sources can be added to each slot, which is ideal when you need to multiply the actions of two sources. One obvious example of this being the control of vibrato depth via the mod wheel.
Four macros shown on the front panel serve as handy performance controls, even more so when assigned to favourite knobs on a MIDI controller. Lovers of snappy sequencer parts will relish the ability to tweak the curves of each envelope stage.
I certainly did! The grid is invaluable for drawing LFOs that are intended for rhythmic or chromatic purposes. Pros Clean, clear and detailed sound. Fast and intuitive interface. Superb and comprehensive wavetable implementation. Quality filters and effects.
SOUND ON SOUND
Serum’s slick interface belies an extremely flexible wavetable synthesizer. Xfer Records Serum. Software Synthesizer. Software > Synthesizer, Virtual. Serum, Software, Plugin, Synthesizer, Music Production. Serum is an advanced wavetable synthesizer developed by Xfer Records. xtfaeg.me I’m currently renting to own this through xtfaeg.me – Serum – the first synthesizer from Xfer Records, creators of the enduringly useful LFO Tool. Its aims are.
Xfer Serum+ Bundle
Close Xfer Serum Serum is a wavetable synthesizer plugin created by Xfer Records that has completely taken over the music production world as the most used synth plugin. It features a visual and creative workflow-oriented interface that makes creating and altering sounds fun instead of tedious. Xfer Serum Review Since its release, Serum has quickly become the most popular software synthesizer for music production. There is no other synth more widely used, reviewed, and supported by professionals on the market. Serum is the synth that many producers have been waiting for.
The dream synthesizer did not seem to exist: Import audio directly from audio files – Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once with in-built sorting options, or manual re-ordering.
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A particular approach, SERUM, is described which considers risk from initial business analysis up to and beyond software delivery. The approach makes use of. Try Xfer’s Serum free for three days, then just $/mo, exclusively on or later; Windows XP or later; VST, AU or AAX compatible host software, bit only. Alongside Xfer Records groundbreaking Wavetable Synth, Serum – the of one of the most powerful and innovative software synthesisers on the market today.