Synthix

XILS Lab Synthix

Now the company have turned their attention to another super-rare synthesizer, the Elka Synthex. Voicing A Synthix oscillator. It also recreates other unusual facilities that set the Synthex apart, such as its on-board chorus and four-track sequencer. However, compared with the original Synthex, Synthix boasts more waveforms, more contour generators four instead of two , more modulation sources five instead of two , routes and destinations, more effects four instead of one … well, more of everything.
synthix

Videos : XILS-lab Synthix

Now the company have turned their attention to another super-rare synthesizer, the Elka Synthex. Voicing A Synthix oscillator. It also recreates other unusual facilities that set the Synthex apart, such as its on-board chorus and four-track sequencer. However, compared with the original Synthex, Synthix boasts more waveforms, more contour generators four instead of two , more modulation sources five instead of two , routes and destinations, more effects four instead of one … well, more of everything.

Synthix

Let’s start by comparing the Synthix oscillators with those of the Synthex. Although these look somewhat different from the original’s, closer inspection shows that they offer much the same facilities.

There are also numerous hidden additions. Multi-mode filter. The Frequency and Resonance controls are present and correct, as are the contour amount and keyboard tracking knobs. Most important, all four of the Synthex’s filter modes are retained, which means that you have access to all of the less usual band-pass and high-pass filtered sounds that helped to differentiate the Synthex from the Prophets, Oberheims and Moogs of the era.

In both cases, this thickens the sound and is, again, welcome. Despite the similarities so far, things start to look different when you inspect the contour generators and modulation capabilities of the original and the soft synth. Likewise, no fewer than four programmable modulation generators have replaced the Synthex’s single programmable LFO.

You can create all manner of rhythmic and stutter effects with this module, so I’m sure someone will love it. Next to the LFOs lies the modulation matrix.

This has six slots and allows you to route any of 29 sources to 38 destinations, all with positive or negative polarity. The layout was clunky on the original, so it’s a shame that it hasn’t been updated here.

In an era when on-board effects were provided on low-cost, often single-oscillator synths in an effort to thicken their sounds, the Synthex was perhaps best known for its three-mode chorus unit, allowing its patches to sound more lush than those of Prophets, Jupiters and the like. Voice Management Synthix scores over the Synthex in the number of voices it can produce 16 rather than eight and the ways in which you can assign them. You can also set whether unison is used on either or both parts and, if so, with how many voices.

Finally, you can set up the flexible arpeggiators see ‘The Arpeggiators’ box on each. Glide controls. However, these are the only things you can do here; you’re setting up two virtual keyboards, but both access the same patch. These represent voices 1 and 9, 2 and 10, 3 and 11, and so on, and allow you to edit the sounds produced by each pair. Used with the Guitar mode see ‘Guitar Mode’ box this can turn Synthix into an up to eight-part multitimbral synth, although with just two voices for each.

Joystick control. Ah yes In Use Voice Management controls. Like many soft synths before it, Synthix combines the concepts and sound of its inspiration with facilities that would have been impossible or impractical when the original was manufactured.

Excellent brass and string pads, melodic leads and bass patches leap out almost unbidden, and when you start to use velocity and aftertouch, program the modulation matrix and add effects, it really comes alive. For many people, the ability to layer sounds will be an important aspect of Synthix, but this is where things become less than straightforward.

You have to assign which voices are available to which layer, and keep track of all of the edits within them. And therein lies the secret of Synthix; unlike many soft synths, it will give of its best only if you spend some time with it. The ‘More’ button accesses multitimbrality. For example, some of the legends are less clear than one would expect, some of the smaller controls have no legends at all, and many of the sources and destination names in the drop-down menus don’t fit into the windows provided.

Furthermore, programming is occasionally confusing. XILS Lab agreed with me that the existing system is not ideal, and undertook to investigate it. In the meantime, this architecture means that you might have to be more careful with some of your patch programming than would otherwise be necessary. Synthix’s four-track sequencer. If the oscillators are not detuned or modulated, this can lead to phase cancellation and tonal differences between voices. Indeed, some voices can appear to lie an octave higher than the others when their fundamentals are severely attenuated by the phase error.

It transpires that they originally took the decision to code Synthix in this way to save the CPU power needed to maintain 16 free-running oscillators. Nonetheless, they will now see whether they can address the issue.

Is this because there’s something special about synths such as the VCS3, the PolyKobol II and the Synthex, or is it because it’s an obvious way to differentiate their soft synths from everyone else’s?

So while the Elka Synthex is not quite in the same class of oddness or obscurity as the other two, Synthix still offers something different from the norm. A Brief History Italian manufacturers better known for their home organs, Elka produced some of the nastiest synthesizers of the late ’70s and early-to-mid ’80s.

Yet amongst these were some surprising gems. Released in , the Synthex was the company’s attempt to address the market for large, serious, polyphonic synthesizers. Few musicians ever touched one, let alone played one and, compared with its contemporaries — the Prophet 5, OBXa and Jupiter 8 — it was not highly rated.

Did Elka’s reputation work against it, or was there something fundamentally unsatisfactory about it? Pros The basic voicing is very flexible. It’s capable of complex, evolving sounds, as well as powerful, bread-and-butter analogue emulation. The sound quality is excellent. Advanced programming can be unintuitive. The GUI and documentation feel a bit unfinished. There’s no stand-alone version. Summary The unusual architecture and combination of features in Synthix means that it’s distinguishable from many other soft synths.

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For those in the know, the expectation is obvious: XILS-lab’s new Synthix ought to default to the famous ‘Laser Harp’ sound heard on. Synthix is a virtual 16 voices analog synthesizer and as it, brings what we can call now standard analog features. It has a special multitimbral. Also considering Arturia’s SEM, but leaning towards the Synthix. Anyone here using the Synthix VST a lot and have any comments? Synthix.

XILS Lab Synthix

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HOWTO VIDEO: Soundsdivine X soundset for XILS-Lab SynthiX

For those in the know, the expectation is obvious: XILS-lab’s new Synthix ought to default to the famous ‘Laser Harp’ sound heard on. See Tweets about #synthix on Twitter. See what people are saying and join the conversation. Synthix, a new synth from XILS-LAB. Post by bdhm» Tue Jun 21, am. xtfaeg.me bd. Top.

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Synthix

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